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    TO START USING SPACES II:

    1. Download the EastWest Installation Center (MAC) | (WIN)
    2. Download and view the Installation Center Video (pause to follow each step)
    3. Update PLAY software | Activate SPACES II | Download SPACES II in Installation Center, there are no authorization codes needed

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    SPACES II

    BUY NOW

      Best Plug-in Software

      — Sound on Sound Award nominee

      At its $299.00 MSRP, EastWest Spaces II is a steal compared to its competitors. Its cost is a small price to pay for what may become your favorite reverb. For those who already subscribe to EastWest’s ComposerCloud (also the best deal for virtual instruments on the market), the product is already waiting for you to discover. (Full Article)

      — CDN

      SPACES II reverbs sounded, on the whole, incredible: smooth, wide, deep, complex and highly nuanced. My two thumbs are up. Way up! (Full Article)

      — MIX

      SPACES II is an extraordinarily comprehensive collection of reverbs, which will have something for everyone.

      — MusicTech Spaces II - MusicTech Excellence Award

      EastWest’s SPACES I has been my go to reverb for many years but SPACES II Is a must for everyone, it’s the most comprehensive and best sounding convolution reverb on the market by far.

      — Mark "Spike" Stent
      (2018 Mix Engineer of the Year)

      I can honestly say that this has now become my favorite go-to reverb for orchestral music and cinematic music. It has such a rich, deep and open sound that can make any instrument lush and beautiful.

      — ProfessionalComposers.com

      To my ears SPACES II is one of the best sounding convolution reverbs I have heard and used and if you like the idea of putting your productions be it music or post in some very authentic sounding acoustic environments, you should check out EastWest SPACES II, you will be very glad you did. (Full Article)

      — ProToolsExperts

      The quality of the impulses themselves are so exceptional and the way the plugin has been fashioned for creative workflow makes it a music producer’s dream. (Full Article)

      — Audio Producer News

      SPACES II is a great candidate for being your one and only convolution reverb, offering up plenty of high quality instrument-dependent presets along with all the essential groups of convolution spaces.

      — SoundBytes Magazine

      • Watch the Trailer
      • Watch the Walkthrough

      Free 10 Day Trial Now Available (Click Here)!

      The Sequel to the Ultimate 24-bit True Stereo Convolution Reverb.

      SPACES II from EASTWEST is the highly-anticipated sequel to SPACES I, the top-selling convolution reverb engine endorsed by top industry professionals which set a new standard in impulse recording techniques. Produced by Doug Rogers and Nick Phoenix, SPACES II includes hundreds more new reverbs recorded in churches, concert halls, opera houses, catacombs, train stations, recording studios, and warehouses. It includes a new streamlined user interface, new control features, a vastly expanded collection of instrument specific reverbs, plus all of the reverbs from SPACES I, making SPACES II the most powerful and versatile convolution reverb on the market.

      Instrument Specific Reverbs

      A unique feature of SPACES II is the instrument specific reverbs that have been designed to take the guesswork out of instrument reverb selection. Only the SoCal hall was recorded using this method in SPACES I and it was so popular six locations with instrument specific reverbs are now included in SPACES II. How was this done? An ATC speaker array was created to emulate the sound projection patterns of each instrument or section. For orchestral halls, a recording was taken in the exact position an instrument would be on stage. A French horn fires its sound backwards against the back wall, therefore, an impulse for a French horn was created by firing the sweep tones from the middle to left rear of the stage, backwards and slightly towards the floor. 1st violin section recordings were taken by firing a series of speakers at an angle toward the ceiling, just like a real section, with a fifth speaker firing towards the floor to emulate the body of the violins. A choir shoots straight out from the back, a celeste or harp is usually way over to the side and a lot of that sound goes up giving you early reflections. Most soundtrack composers that use SPACES I consider the instrument specific reverbs from the SoCal Hall to be ground breaking. Set up a mixing template with unique reverb for the strings, brass, winds, percussion and choir and something magical happens. In SPACES II five more locations were added using this technique for a total of six. There are 324 instrument specific reverbs in SPACES II compared to 48 in SPACES I for a total of 372. It took a massive effort, but the results speak for themselves.

      Brand New Spaces

      From stunning concert venues like Abravanel Hall in Salt Lake City, Reynolds Hall in Las Vegas, and the War Memorial Opera House in San Francisco, to exquisite sounding churches like St. Patrick’s and St. Dominic’s, to unique and extraordinary sounding locations like catacombs and Union Station in Los Angeles and many more, the reverbs from these brand new spaces will inspire you and help bring your compositions to life with incredible realism. These are some of the best locations EastWest has recorded in and they will all perfectly compliment the locations from SPACES I.

      Spaces // Montage

      New Streamlined User Interface + New Control Features

      SPACES II features a streamlined, completely re-vamped user interface. Now the user can actually see visuals of each space - including those from SPACES I! In additional, new Next / Previous arrows allow the user to easily navigate the 1,020 reverbs from this massive collection. The biggest new feature is a brand-new Decay Time panel. Now you’ll have absolute control of the decay time of each and every space, allowing for the ultimate in customization.

      Spaces II Interface

      Same Revolutionary Recording Techniques

      The same revolutionary impulse recording techniques that made SPACES I so popular have been replicated in this new collection. The best gear from Fairchild, Manley, Meitner, Neumann, Neve, Sennheiser, Sony, Telefunken, and TG were used in each recording. ATC Monitors were used in each space to emulate the real-world sound projection properties of various instruments. SPACES II includes a very hi-resolution, True Stereo engine that focuses on delivering the very best sound at a very low CPU load. Most impulses are in 8 channel format, so surround mixes can be created.

      Spaces //

      Upgrade for SPACES I users

      An upgrade is available for SPACES I users. (Note: due to the vast number of changes, SPACES II will not recall SPACES I presets saved in your old projects. If you upgrade you will have a choice of loading old projects with the SPACES I interface or reset them using SPACES II.)

      FEATURES

      • Produced by Doug Rogers and Nick Phoenix
      • 1,020 reverbs recorded in locations worldwide
      • Includes 372 Instrument specific reverbs recorded in 6 locations
      • Highest resolution, most useful reverbs available
      • 24-bit True Stereo, with surround capability
      • New convolution engine
      • Brand new user interface with visuals representing each space
      • Brand new Decay Time control feature
      • New Next / Previous buttons for fast navigation
      • ATC, Neumann, Telefunken, Neve, Meitner Signal Path
      • Film Score, Rock, Pop, Jazz, Classical, Esoteric and Dreamy Reverbs
      • Low CPU usage, with cleanest signal path possible

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      Videos

      • Watch the Trailer
      • Watch the Walkthrough

      Manual

      • Spaces II Manual

      Technical Information

      Generally, all info related to the reverb selected is displayed in the interface window of SPACES II.

      The following is useful information -

      • M-S: means mono in and stereo out. So normal stereo reverb, where the input is summed to mono before being processed.
      • S-S: means stereo in and stereo out. So true stereo. Each channel L and R is processed with its own unique stereo impulse.

      Typically an impulse is taken with the source on the left side of the stage and the right side of the stage. Each impulse is stereo. When they are put together you get a true stereo 4 channel snapshot of the space. We encourage users to use the true stereo versions of the impulses. The true stereo switch on the interface is an indicator, not a switch. It indicates what you have loaded.

      • FR: means front mics.
      • RR: means rear mics. These can be used to create a surround mix, or to pick a reverb that you like. Generally the rear is longer and darker.
      • FILTER: This allows users to limit the frequencies sent to the reverb, you can high-pass, low-pass, or both. When selected, a frequency response graphic will appear in the center window.
      • DECAY TIME: This allows users to shorten the reverb time of the loaded preset.
      • MONO: turn on to mono the reverb.

      Locations

      A Simply Massive Collection from Around the World

      Churches

      • Abandoned Abbey
      • Angels Cathedral (True Stereo)
      • Berlin Church (True Stereo)
      • Grace Church (True Stereo)
      • Hamburg Cathedral (True Stereo)
      • LA Cathedral
      • LA Church
      • NY Church
      • Sacred Heart (True Stereo)
      • Santa Barbara Temple
      • St. Dominic (True Stereo)
      • St. Patricks (True Stereo)

      Concert Halls

      • Abravanel Hall (True Stereo)
      • Ace Hall
      • Davies Hall (True Stereo)
      • Dortmund Concert Hall (True Stereo)
      • LA Guitar Venue
      • LA Piano Hall
      • Northwest Orchestral Hall
      • NY Piano Hall
      • NY String Hall
      • Pasadena Taiko Hall
      • Reynolds Hall (True Stereo)
      • San Francisco Hall
      • So. Cal. Orchestral Hall

      Courtyard

      • Malibu Stone Courtyard

      Caves

      • Carlsbad Caverns

      Digital

      • Classic Digital
      • Digital Hollywood Hall
      • Gated Room Reverb
      • Planetary Manifestations
      • Vocal Digital

      Forests

      • Hamburg Forest
      • Hamburg Lake Forest

      Opera House

      • War Memorial Opera House (True Stereo)

      Parking Garages

      • SM Parking Garage
      • WLA Parking Garage

      Plates

      • Classic Rock Plate
      • EW Vintage Plates

      Rock Rooms

      • LA Big Drum Rooms
      • LA Small Drum Rooms
      • LA Studio Drum Rooms

      Solo Vocal

      • Solo Vocal

      Stages

      • LA Scoring Stages

      Studios

      • EastWest Studios

      Swimming Hall

      • Berlin Swimming Hall (True Stereo)

      Tanks

      • SM Concrete Tank
      • SM Water Tank

      The Catacombs

      • The Catacombs

      Train Stations

      • Long Tunnel
      • Union Station

      Warehouses

      • 544 Mateo (True Stereo)
      • ACME Storage
      • Compton Warehouse
      • WLA Loading Dock

      System Requirements

      Below are the minimum and recommended hardware requirements for using SPACES II on your computer. Please see the Play User 6 Manual for a complete list of the Hardware and Software Requirements for installing and running any Play Library.

      • 1.7GB free hard disc space.

      Below are the minimum and recommended hardware and software specifications for using Opus on Windows and MacOS systems.

      MINIMUM SYSTEM

      • CPU: Quad-core (four cores), running at 2.7 GHz (or above)
      • RAM: 16 GB
      • OS: macOS 10.13 (or later); Windows 10 with ASIO sound drivers
      • Drive: SSD for HW Orchestra Opus Edition

      RECOMMENDED SYSTEM

      • CPU: Octa-core (eight cores), running at 2.7 GHz (or above)
      • RAM: 32 GB or more
      • OS: macOS 10.13 (or later); Windows 10 with ASIO sound drivers
      • Drive: NVMe SSD

      The chart below outlines the MacOS and Windows 64-bit operating systems and sequencers that are officially supported and fully tested with the latest version of Opus. Please note that while most Sequencers / DAWs are VST 2, VST 3, AU and AAX plug-in format compatible, only those listed in the chart below are officially supported.

      Product Version MacOS (10.13+) Windows 10
      EW Play 6 Stand-Alone 6.0+ YES YES
      EW Opus Stand-Alone 1.0+ YES YES
      Ableton Live 10.0+ YES YES
      Apple Logic Pro 10.0+ YES -
      Apple Garageband 10.3+ YES -
      Avid Pro Tools 2018.1+ YES YES
      Bitwig Studio 3.0+ YES YES
      Cockos Reaper 6.0+ YES YES
      Image-Line FL Studio 20+ YES YES
      Motu Digital Performer 9.0+ YES YES
      Steinberg Cubase(1) 9.0+ YES YES
      Steinberg Nuendo(1) 8.0+ YES YES
      Presonus Studio One 4.0+ YES YES
      VSL Vienna Ensemble Pro 6.0+ YES YES
      Notation Software(2) Version    
      Avid Sibelius 2018.1+ YES YES
      MakeMusic Finale 25.0+ YES YES
      Steinberg Dorico 3.0+ YES YES
      • (1) VST3 usage is recommended
      • (2) Sibelius / Finale / Dorico notation programs work with Opus, but do not support the full feature set of some Opus/Play Libraries, such as those that use WordBuilder. Please contact support for details.

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      Spaces II Interface

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      Features:

      • Produced by Doug Rogers and Nick Phoenix
      • 1,020 reverbs recorded in locations worldwide
      • Includes 372 Instrument specific reverbs recorded in 6 locations
      • Highest resolution, most useful reverbs available
      • 24-bit True Stereo, with surround capability
      • New convolution engine
      • Brand new user interface with visuals representing each space
      • Brand new Decay Time control feature
      • New Next / Previous buttons for fast navigation
      • ATC, Neumann, Telefunken, Neve, Meitner Signal Path
      • Film Score, Rock, Pop, Jazz, Classical, Esoteric and Dreamy Reverbs
      • Low CPU usage, with cleanest signal path possible
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